Cantors work on how media frightens children to be featured in
Scholarship of Translation program
Joanne Cantor has a nine year old son, and she knows what its like to have a
"suddenly crowded queen-size bed." For nearly 20 years, Cantor, a professor of
communication arts at the University of Wisconsin, Madison, has been doing research on the
effects of television on children, and in particular on how media content frightens
children. Shes summarized her work in a new book, Mommy, Im Scared: How TV
and Movies Frighten Children and What We Can Do To Protect Them (Harvest Books, 1998),
and shell be presenting a summary of her work at the NCA annual meeting this month.
The Research Board will sponsor a single-scholar panel titled, "The Scholarship of
Translation: Joanne Cantor," on Saturday, November 21, 12:30-1:40 p.m. in the Murray
Hill Suite A, on the second floor of the New York Hilton.
Cantors work has focused on how children are frightened by the media, and
shes approached that work by doing laboratory research involving children, as well
as doing research that asks adults to remember being frightened by media as a child.
Sensitive to criticism that her work may actually be harming children, Cantor is quick to
point out that she uses stimuli that are on a par with material already readily available
to children on television. She also insures that children who are involved in her studies
are talked to about their reactions after the study concludes. She has written, "To
my knowledge, no child has suffered ill effects as a result of participation in this
research. Certainly, no child or parent has reported any problems." Yet, media
exposure is powerful; college students have no difficulty remembering substantial detail
about being frightened by media content.
Cantor has been able to isolate what frightens a child at different age levels,
although she confesses to being surprised at times about frightening content. Children
between the ages of two and seven are more likely to be frightened by visual images of
monsters or animals that might attack them, and these children have difficulty
distinguishing between fantasy characters and reality. Older children, ages seven to
twelve, are frightened by realistic threats, particularly threats to children their own
age. Adolescents are most frightened by threats of sexual assault and threats from what
Cantor calls, "alien or occult forces."
In a recent study, presented to the 1998 annual meeting of the American Psychological
Association, Cantor reported on how television news frightens children. Children consider
news to be truthful, and local news, which has been found to portray violent content an
average of 44% of the time, can be particularly scary. More than half of the people
surveyed by Cantor and by Barbara Wilson, a communication professor at the University of
California, Santa Barbara, could describe in detail a news story that frightened them, and
children who were the heaviest consumers of television news ventured the highest estimates
of the local crime rate.
Cantors work has also offered some means for comforting frightened children. In
general, words will have little effect with younger children, Cantor found. Rather, she
says, "a hug, a glass of water or a distracting activity might help." Talking to
older children and helping them to reason through their fears and how they can prevent
their fears from actually happening is effective. As Cantor asserts, "For all ages,
the sympathetic attention of a concerned adult is probably the best medicine."
Cantor has been a strong advocate for a clear, content-based, television rating system.
In fact, her advocacy has bothered the networks, and NBC cancelled an appearance she was
going to make to present her point of view on The Leeza Show last spring.
Joanne Cantors work fits well with the tradition developed in "The
Scholarship of Translation" series. She works on an important topic, and she manages
to build theory and to provide practical problem-solving advice through systematic
scholarship. Her presentation should be one of interest to a great number of NCA members.